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Baba Rampuri
  • Home
  • About
  • Autobiography
    • Autobiography of a Sadhu
    • 50 Excerpts
    • Reviews
  • The Discourse
    • MasterClass Videos
      • II · Assumptions
      • III · Sacred Speech & Sacred Music
      • IV · The Text
      • V · Oral Tradition & Authority
      • VI · Sacred Geography of the Mouth
      • VII · Shiva: His Drum of Consciousness
      • VIII · Garland of Sacred Syllables
      • IX · Mysticism, Analogy & Metaphor
      • X · Resemblances & Correspondences
      • XI · Rishi Panini
      • XII · Patanjali: The Yoga Sutras
      • XIII · Patanjali’s Yoga Sutras
      • XIV · Bhartrihari & Meaning
      • XV · Bhartṛhari & the Sphoṭa
      • XVI · Kashmiri Shaivism & Abhinavagupta
      • XVII · Kashmiri Shaivism: The 36 Tattvas
    • The Edge of Indian Spirituality
    • Dhuni Discourse
    • Multani Baba Discourse
    • Baba’s Interviews
      • Baba Rampuri on Mass Media, Propaganda, Sacred Speech
      • Interview with Kartazon, Hari Puri Ashram, 2007
      • Shivanand Giri Interview
      • Peter Jenkins Interview
      • Kalyan Interview
      • Donna D’Cruz Interview
  • Art of Yajna
    • Art of Homa
    • Art of Invoking Ganesh
    • The Art of Ganesh Puja
    • Art of Makar Sankranti Yajna
    • Art of Yajna
    • Inviting Deities
    • Kalash Sthapana
    • Ganesh Homa
    • 9 Chandika Yajna begins
    • Making Yantras for Yajna
    • Navgraha Havan
    • Nine Chandika Homa
    • Chandika Havan Purnahuti
    • Chandika Yajna Bhandara – Feast
  • Ceremony
    • Shivaratri
    • Navratri Durga Puja
      • Navratri 2025
        • Day 1 – Shailaputri Devi
        • Day 2 – Brahmacharini Ma
        • Day 2 – Chandra Darshan
        • Day 3 – Chandraghanta Ma
        • Day 4 – Chandraghanta Ma
        • Day 5 – Kushmanda Devi
        • Day 6 – Devi Skandamata
        • Day 7 – Katyayani Ma
        • Day 8 – Kalratri Maa
        • Day 9 – Mahagauri Ma
        • Day 10 – Siddhidatri Ma – Dussehra
    • Yajna Videos
      • Assagao Yajna
      • Navgraha Homa – The Nine Planets
      • Chandika Homa – The 9 Durgas
      • Ganapati Homa
      • Hari Puri Ashram Yajna, Haridwar
  • Kumbh
    • 35 years of Kumbh Melas
    • Kumbh Mela Videos
  • Akhara
    • Meet Juna Akhara
    • Legendary Naga Babas
    • Dattatreya Akhara – Ujjain
  • Music
    • Music Performances at the Dhuni
    • Jangams – Bards singing our lineages
  • Art
    • Visions of the High Priestess
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    • My Prose
    • Deconstructing Consumer Yoga

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Copyright © 2026, — Baba Rampuri. All Rights Reserved

Chandraghanta_sm_1

On Navratri Day Three 2025, Wednesday, September 24, the third day of the Moon, we worship Chandraghanta Ma, who is also Parvati, but AFTER her marriage to Shiva, and this is marked by Shiva’s 5 day crescent moon she now wears on her forehead.

But, what distinguishes Her is the bell, for it is this ghanta which frightens away the demons. The ringing of bells in temples across India, and for that matter, in religious institutions around the world signify that Sacred Speech is about to be offered to the God(s) and Goddesses, but even more important, ringing the bell signifies Sacred Speech Itself, which demons abhor, and they hide from this overwhelming power. The bell also marks time through the rhythm of its ringing, and as such has reminded the public of time everywhere since bells first appeared.

Even if her manifestation is aggressive and frightening to Demons, She is gentle and compassionate to Her devotees and Her worship brings peace and contentment. She is always ready to protect Her devotees, so Her worship becomes an antidote to unjust persecution and any oppression.

Let Her bells ring throughout the world!

She may be invoked and worshiped with the following mantra:

YA DEVI SARVABHUTESHU MAM CHANDRAGHANTA RUPENA SAMSTHITA
NAMASTASYAI NAMASTASYAI NAMASTASYAI NAMO NAMAH
PINDAJPRAVARARUDHA CHANDKOPASTRAKAIRYUTA
PRASADAM TANUTE MAHYAM CHANDRAGHANTETI VISHRUTA

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About Us

Baba Rampuri is a Shri Mahant of Juna Akhara, initiated in 1971 as the first foreigner ever taken into the order. For over fifty years he has lived in Bharat, practising and teaching the oral tradition of the Sanatan Dharma. This site is his archive — his experience, teachings, and discourse, past and present.

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